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The Montage Scene.

montage scene

I was having dinner recently with a few friends, all of whom have started new jobs in 2017. We were talking about the struggles with a new job: Building relationships with new co-workers, learning new workplace procedures and etiquette, and challenging yourself in a new role.

And then, in the way that dinner conversations tend to go to strange places, we got to talking about the movies. A friend noted that they don’t show people putting in the day-in and day-out work in movies. If movies were like real life, someone would show up at an office, pitch a big idea, and then spend the next eight months slowly getting the buy-in to make that idea happen. Nobody wants to watch a movie where someone spends two months writing memos or getting coffee to brainstorm new ideas. Wouldn’t make for much of a movie.

Then we thought about it some more, and realized that we were wrong. They actually do show people putting in the work in movies! But it’s always in a montage:

And all of us at that dinner table agreed: The early stages of a job are a lot like the montage scene of the movie. You put in a lot of work, you try to make stuff happen, but it’s not glamorous. It’s… work.

In the movies, the montage scene is always fun. When you see a montage in a “Rocky” movie, you know that a big fight is coming up. You know you’re going to get closure for a character soon.

The montage scene at a new job isn’t quite like that. It’s work, and more work, and building new routines, and learning new stuff. It doesn’t always lead somewhere right away. You start a new job with a lot of ambition, but it always takes more time than you think to start getting stuff done that you’re excited about and proud of.

At BuzzFeed, the montage scene lasted my entire first year. It took a long time to build something from nothing, and even when we made progress, I’d look back on what we’d built so far and realize: We hadn’t done that much. It was frustrating.

But eventually we got there. Eventually, all new jobs get out of the montage scene, and then you can move on to bigger things. But you’ve got to put in that work first — and unlike the movies, you can’t compress it all into a three-minute-long montage.

Keep your head down and keep doing the work. You’ll make it through.

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That photo of a film reel comes via Noom Peerapong and Unsplash.

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Make It Work.

oscar-nilsson-13605

If you don’t have all the money you need to build something, you can still make it work.

If you don’t have all the knowledge you need to build something, you can still make it work.

If you don’t have all the time you need to build something, you can still make it work.

It won’t be perfect. It might be far from perfect, to be honest. But find a way to get started. Find a way to make it work.

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That generic desk photo comes via Oscar Nilsson on Unsplash.

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A Good Test Starts With A Great Question.

science experiment

Perhaps you’ve run an A/B test before. You wanted to see which would result in more clicks: Headline A vs. Headline B. A red “Click Here!” button vs. a blue “Click Here!” button. A photo of a cat vs. a photo of a dog.

What you’ve done is an optimization test. It’s a simple form of testing — you’re tinkering with the variables to try to find the best possible combination of content.

But when I talk about testing, I’m talking about something different. A test is more than just tweaking stuff at the margins.

A good test starts with a great question.

Right now, I’m asking two really big questions at work:

1) How can we build a big, highly engaged audience through email?

2) How can we convert those readers into paying subscribers to our print or digital editions?

These are complicated questions. To get the answers, we’re going to run dozens of experiments over the coming months. We’ll test out new sign-up funnels to grow our audience; build new designs for our existing newsletters; create original content to live in our emails; launch entirely new newsletter products; and test all sorts of calls to action to see how, when, and why a newsletter subscriber might be willing to pay for access to our premium products.

But it all starts when you ask clear questions. Those questions help set the boundaries for your work, and make clear what you should be focusing on, and what you shouldn’t.

And a few months down the road, once we’ve used these tests to build out the framework to answer these questions, that’s when we’ll get into the nitty gritty of optimizing. We’ll run all sorts of little tests — button colors! subject lines! cats and dogs![1. OK, maybe not this one.]— to get to that optimal version.

But first, we have to answer these big questions.

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That photo, “Science experiment” by Zyada, is licensed under CC BY 2.0.

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My OOO Misadventure.

email ooo

A few months ago, I started thinking about ways to handle email while out of the office. I was getting a lot of email while I was on vacation, and I wanted to figure out a way to, A) Reduce the number of emails in my inbox, and B) Make sure that my co-workers weren’t sitting around and waiting forever for a reply.

That’s when I read this story about a company in Germany that auto-deleted emails sent to employees on vacation. It seemed a little intense, but intriguing. Maybe there was a way, I thought, for me to shut off the email spigot on vacation.

So I dug a little deeper. I read about Huffington Post trying a similar email strategy, and other leaders adopting this auto-delete strategy. They all raved about it. Communicate what you’re going to do, they said, and how you can help them when you get back from vacation. And then try it.

So I did. I reminded my team that I’d be on vacation and not checking email. I wrote an out of office reply explaining that I was on vacation, and declaring email bankruptcy. I’d be deleting my entire inbox when I got back, I said. So I asked co-workers to email me again on a specific date — the day I was returning to the office — and promised that I’d be able to help them quickly if they emailed me on that date.

I turned on the out of office reply, and I went on vacation.

And I got feedback pretty quickly: People hated it. They thought I was acting like a jerk.

And honestly? I couldn’t blame them.

Here’s what I believe: What matters most is not what you say — it’s what others hear.

What I thought I was saying was: Please help me maintain my sanity! Email me when I’m back at work, and I can help you then.

What my co-workers heard was: You clearly don’t value my work or my time.

And they were right! My OOO reply came across as rude, and borderline hostile. Instead of pointing people towards someone who could help, I was shutting the door on them entirely. And at a big company, where I was getting emails from people in other offices (and sometimes in other countries), there were a lot of people who were asking for stuff who didn’t really know me. This might have been one of their first interactions with me — and this was how I was treating them?

The “auto-delete” strategy seemed nice in theory, but at a big company, it didn’t work. (I sent a lot of “I’m so sorry” emails afterwards to apologize to co-workers. I probably spent more time apologizing than I would have spent just replying to my normal, post-vacation inbox.)

So I’m doing something different now. Now, the email you get from me says, “I’m out of the office until (this date). If you need to reach me, text or call my cell at (xxx) xxx-xxxx.” Then I list the contact info for colleagues who can help, and I explain how they can be helpful.

Here’s what I like about my new OOO reply: If someone desperately needs my help, they’ll reach out directly. But most people see it and think, “This can wait.” And they do. If not, they can reach out to a co-worker to get the answers they need. It’s an OOO that’s designed to make sure that others can get the help they need as soon as they need it.

As for the emails: Sure, they pile up a little. I have to take an hour on that first Monday back in the office clearing through my inbox. But if my OOO does its job, most of the emails are about issues that were sorted out while I was gone. I get my vacation, and the office keeps moving forward. That’s a win-win.

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That photo at top, “Email” by Aaron Escobar, is licensed under CC BY 2.0

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Here, Read This.

A few weeks ago, I wrote, “When They Zig, You Should Zag”, about trying to find opportunities hidden in plain site. And with that in mind, I wanted to share this fantastic piece from The Ringer about the unusual lessons that the Atlanta Falcons have learned from a cycling team. It’s a fantastic example of how a team is making small improvements — in the way their players sleep, eat, train, and learn — to get better at their work.

>> How a Cycling Team Turned the Falcons Into NFC Champions — The Ringer

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After A Disaster, Give Money. (And Only Money.)

I’ll be back soon with the normal blog fare, but for now, here’s a PSA:

In the wake of Hurricane Harvey, here’s something to keep in mind: If you want to help those in need, the best way is to donate money.

CBS’s “Sunday Morning” did a fantastic piece about the mountains of donations that arrive after a disaster. After hurricanes, tornadoes, or even mass shootings, donors send water, clothing, toys, and other goods to needy areas. The issue is: There’s nobody to sort through everything once it arrives, no systems to distribute it, and nowhere to store it.

Which is how you end up with relief workers burning piles of donated clothes on the beaches of Indonesia, or officials in Newton, Conn., trying to figure out what to do with 67,000 donated teddy bears.

Here, just watch the story:

If you want to donate to communities in need after Harvey, NPR has an excellent list of places that could use your help.

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Play The Chorus Another 20 Times.

I write a lot about the work — about the idea that there’s value in putting in the work every day, in trying even when the results aren’t very good, in showing up when you know that you don’t have 100% in you that day.

Here’s what that actually looks like. There’s a story I love from Glenn Frey, formerly of the Eagles, in the documentary “History of the Eagles.” He’s talking about his former downstairs neighbor, Jackson Browne, and the work that Browne used to put into each of his songs:

“We slept late in those days, except around 9 o’clock in the morning, I’d hear Jackson Browne’s teapot going off — this whistle in the distance. And then I’d hear him playing piano.

I didn’t really know how to write songs. I knew I wanted to write songs, but I didn’t know how exactly. You just wait around for inspiration, you know — what was the deal?

Well, I learned through Jackson’s ceiling and my floor exactly how to write songs. Because Jackson would get up, and he’d play the first verse, and the first chorus, and he’d play it 20 times, until he had it just the way he wanted. And then there’d be silence. And then I’d hear the teapot go off again. Then it’d be quiet for 10 or 20 minutes. Then I’d hear him start to play again, and there was the second verse. So then he’d work on the second verse, and he’d play it 20 times. And then he’d go back to the top of the song, and he’d play the first verse, the first chorus, and the second verse another 20 times until he was really comfortable with it, and, you know, change a word here or there. And I’m up there going, ‘So that’s how you do it! Elbow grease, you know, time, thought, persistence.’”

The work doesn’t show up fully formed. You have to do the work over and over again to get it right.

The work will not always be very good. But the work is the only way to get better, and the only way to deliver the results you want.

So go ahead: Play the chorus 20 times, then play it 20 more. Go put in the work.

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When They Zig, You Should Zag.

I have a rule when it comes to picking new projects: If pretty much everyone is doing something, I try to head the other direction — and as fast as possible.

I like have my own space to experiment in. I like being different. Sometimes, that means I miss out on a new trend, and that’s OK. I’d rather be working on something that’s under the radar, trying to find an opportunity that nobody else sees.

And I love reading stories of people who’ve found opportunities just like that. “Moneyball” is the most famous example, but sports are full of “hidden in plain sight” stories. I found one this week while reading the obit for Frank Broyles, the former head coach at both Missouri and Arkansas. This paragraph stuck out to me:

“One of his strengths was recruiting, and particularly recruiting married athletes. In his first summer at Arkansas, Broyles recruited the newlywed Lance Alworth, a schoolboy All-American from Brookhaven, Miss., after the University of Mississippi had rejected him because of a rule against married players. Alworth went on to a Hall of Fame career as a wide receiver in the National Football League, almost entirely with the San Diego Chargers.

“Broyles had 20 married men on his 1960 squad alone.”

I’d never heard of college teams banning married players, but I find it absolutely fascinating. Broyles saw an opportunity to find talent that no one else wanted, and it eventually helped him win a national championship.

Or here’s one about my favorite baseball team, the Washington Nationals. The Nats have an unusual habit: They love drafting really talented players who are recovering from injury, like Anthony Rendon:

“Rendon, a Houston native, stayed near home for college at Rice, where he hit .371/.510/.679 as a three-year starter, including a .394/.539/.801 line as a sophomore, the year before the NCAA deadened the bats. He went pro after his junior year, and was perhaps the best player in the 2011 draft, the deepest of the past decade, but ankle injuries caused him to drop to Washington at no. 6.”

Rendon — who otherwise would have been the no. 1 pick — was a steal for the Nats. His ankle healed fine, and he made the major leagues two years after being drafted. This year, he’s been one of the best third basemen in baseball, and he’s a dark horse MVP candidate.

And it doesn’t stop there. Pretty much every year, the Nationals draft a talented pitcher who just had Tommy John surgery. Why? Most teams don’t want to put up with the rehab. But with modern medicine, pitchers who undergo Tommy John often come back healthy as ever, and the Nats have been able to acquire talent that nobody else in baseball wants.

When it comes to finding great opportunities, my motto continues to be: Don’t follow the leaders. Instead, ask yourself: What’s something that nobody else is doing? Is it something we should try?

You might find something of real value that nobody else sees.

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How Do You Know It’s Time To Leave Your Job?

exit

Since I announced that I was leaving BuzzFeed, a lot of people have been asking: How did you know it was the right time to leave?

I hadn’t been applying to jobs elsewhere when the New Yorker opportunity came around. So to make sure it was the right time for me to leave, I made a list of six questions, and thought carefully through each:

1) Am I still being challenged in my current role?
2) Am I still learning new things?
3) Am I part of the decision-making process at my office? Do I have a seat at the table where big decisions are made?
4) Is there a path for me to grow at this company?
5) Do I have the right people on my team?
6) Do I have what I need to do my best work?

If the answer to one or two of these is “no”, you might be unhappy at your job, but it’s probably not time to leave. Have a conversation with your boss about your role — maybe there’s an opportunity for them to give you the support/training/help you need to fix those issues.

But if you’re answering “no” to more than that, it’s time to make a change. You deserve to be at a place where you’re surrounded by the best team, working on projects that challenge you, and supported with the resources you need to do great work.

One more thing: You’ll notice that money’s missing from this list. I’m lucky in that at this point in my career, I didn’t have to make a move based on financial needs. But if you’re at a different stage in your career, that should absolutely play a role. Don’t stay at a job that pays you less than you’re worth — otherwise, you’ll miss out on the opportunity to make a significant salary leap.

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That photo at top is called “Exit” by Paul Downey. It’s licensed under CC BY 2.0.

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