Otra! Otra!

ozo

“En la vida hay dos cosas ciertas // Son la muerte y el cambio.” — Ozomatli

 
If you ever go to see Ozomatli — and you really should; they’re an amazing band from LA that’s a fusion of all sorts of sounds and languages — then know this:

At the end of their set, they’re going to come into the crowd with drums. They might lead the crowd in the hokey pokey. Or the chicken dance.

But follow them. When they go, follow them.

Following them is how a friend and I ended up on a ledge on Saturday night, dancing with the band, as a few hundred fans screamed out “Ole!” chants back at us. Following them is how I ended up next to the horn section, losing my damn mind.

And when it was over, the crowd started cheering for more. Ozomatli’s songs are mostly in Spanish, so the encore chant came in Spanish, too. “Otra! Otra!” they cheered.

What an amazing response. A whole crowd of people, having just seen this band give them everything, having literally conga-lined out of the venue with them, and they wanted more. Refused to leave without more.

One more. Just give us one more glimpse of whatever you’ve got.

Something for all of us to strive for.

I took that photo at top from our vantage point on the ledge.

The Solo Mission.

“Oh and we end up in Brooklyn / It was rainin’ so hard / Come up all day / And the rain clears it off.” — Joe Purdy

 
I was on a solo mission.

That’s what my friend, Emma, calls it. Sometimes, you want to do something — see a show, see a movie, see a game — and you don’t have anyone to go with. So you go it alone.

A solo mission.

And I was on a solo mission to Brooklyn to see a musician named Joe Purdy. I’ve loved his music for a long time. He’s been the soundtrack to many a road trip, and even more rainy days.

And I step out of my apartment and look up, and for the first time in weeks, see dark clouds. Rain? I wondered. This was last Saturday. I run back upstairs to grab an umbrella.

And then I get on the F train to head to Brooklyn, and the train comes right away. I look up at the board to see how many stops I’ve got left, and I don’t recognize any of the stops. A woman looks at me. This is a C train on the F track, she says. I ask if it’s making all the F stops. Oh, no, she says.

So I start recalibrating my trip. I pick a new, random stop on the C and hope.

And I get off, and my phone can’t seem to find the satellites, so I just start walking semi-blindly, hoping that I’m headed south.

And it starts to rain. Hard. At least I’ve got my umbrella — funny that I even decided to bring it, I’m thinking.

And I walk past a bodega, and pop my head in, and there’s a roll of plastic bags for vegetables right at the entrance. I grab one and wrap my phone in it. It’s the only bodega I’ll see on my walk — nice of it to appear right when I needed it most.

And I’m walking through this hard rain, heading south. I hit the park, and then I keep moving, through the rain, through the trees. I walk for a long time.

And then I see the line. They are standing there, in umbrellas, in ponchos. They are waiting for Joe, too.

And then rain is coming down, and then it isn’t, and we look up at the sky, and the sun is peeking through.

And I hear a cheer, and then a voice on stage, and this whisper of a song coming through, and then I’m through the gates, and there is Joe, on stage, and he is singing.

And he sings:

But I know that I love the rain the most
When it stops
Yeah, when it stops

And I start thinking.

I start thinking about the stories we tell. We want our stories to be epic. We want the journey to be hard, but we also want the pieces to fall into place at the right moments. That’s how it works in the movies: The hero struggles, and struggles, and then breaks through. We want that, too. Everyone wants that hero’s ending. Everyone wants to be standing in the rain when a singer walks onto the stage and sings about how the rain should end, and then the rain ends, and the story gets the finish it deserves.

We want those moments — for ourselves, for our stories.

And we don’t usually get them. Most of our stories aren’t epic. That’s just how it goes.

But sometimes, you go on a mission. Sometimes, you do things that are big — or at least big in your life — and you get those stories.

And like Joe sings:

And you never look back at where you came
Swore you’re never gonna be the same

And you really do swear. The story has changed you. The journey has changed you.

We let ourselves hold onto those things. We just want to believe. Because we want to tell those epic stories again and again.

That photo of Joe in Prospect Park comes via.

The Magic Hour.

Sunset.

“The future is not some place we are going, but one we are creating. The paths are not to be found, but made. And the activity of making them changes both the maker and the destination.” — John H. Schaar

 
There’s this hour right before sunset where the light is perfect. Photographers call it the Magic Hour. The sun is going down, and the world is bathed in this perfect, almost sepia tone.

It’s the hour when conditions are just right for photography. It’s the time when photographers love to work.

Other professions have a Magic Hour, too. Writers and athletes have their own word for it: The Zone.

It’s that brief window where everything you need to work is just there for you. The work pours out, and just the way you always hope it will.

Of course, such magic hours don’t exist daily for most of us. Most of the time, the work comes out slowly. Progress happens slowly.

We wish for those magic hours, but we shouldn’t resign ourselves to waiting for them. Most days, the work has to get out — whether or not you’re feeling it.

The good news is, you don’t have to wait for the perfect moment to get started. You probably shouldn’t. Part of doing the work is learning to struggle. Part of doing the work is learning how to start before you feel ready.

That advice seems almost impossibly easy. But until you’ve actually tried to do the work when you’re feeling out of the zone, you won’t ever know how hard it can be.

This One Very Good Break.

“Our lives happen between the memorable.” — Jack Gilbert

 
A year ago today, something funny happened in Springfield, MO:

Jordan and I had a Stry.us booth downtown at the ice rink. This guy came up to us. We hoped he wanted to talk about the project. He didn’t.

“You guys got any jumper cables?” he asked.

Not really what we were there for, but hey, I did have cables. So we went outside and got the car started. The driver thanked me. We made small talk. He said he was from Joplin. I told him that the team was going to Joplin the next day to do some reporting.

He handed me his card. I know the mayor, he said. Give me a call. Maybe we can set something up.

And… he helped. He pointed us in the right direction. And we needed that. I don’t know what we do without that — a chance encounter 100 miles away from where we all wanted to go.

Little things, little connections, little moments — it’s funny how much those matter, and how often we forget.

The 10-Year Plan For Overnight Success.

dan-win

“Sucking at something is the first step to being sorta good at something.” — Morgan Missen

 
10 years ago this summer, I started my first internship in journalism. I was 16. That summer, I got an article published in the A section of The Boston Globe, and I thought: This journalism thing is going to be easy. I thought I was going to be a very big deal.

Five years ago this summer, I went to China to cover the Beijing Olympics for the Rocky Mountain News. I was in China, reporting on the biggest sporting event in the world. I was doing good reporting, and my bosses were happy with me. I was convinced: I was going to be a very big deal.

And now it’s five years later, and… well, the words “big deal” probably don’t apply just yet. I’m really happy with where I am in journalism. Thrilled, actually.

But this isn’t what I thought it would be. I had visions of reporting, of telling big feature stories that won big awards, of traveling to tell stories that could change lives. I had huge ambition, and no reason to doubt that everything I wanted would come soon.

I never thought about the work. There was no concept that it was going to take work and time and screw-ups to get somewhere good. Everything came easy: the reporting, the writing, the opportunities. Stuff just seemed to work out.

But I ended up in a pretty great place anyway. I’ve learned about the work. I’ve had leaps forward, and I’ve taken steps back. I have screwed up a lot, and I’m better for it.

Somewhere down the road, I might even get good at whatever it is that I do. I’m 26 now, and I think I’m getting closer. Not close — but definitely closer.

Every once in a while, someone tells me how far along I am. They say I’m doing well — really well for someone this young. They talk about how quickly success has come for me.

And not too far off — maybe a few years down the road, even — there’ll be more of them. They’ll talk about how fast it’s all happened for me. The words “overnight success” might even be used.

And only I will know: I’ll have been an overnight success more than a decade in the making.

The Fire.

fullbright

“There’s a fire burning deep inside / And it’s as mad as it’s mean / It’s hungry as it’s lean / And it’s as fleeting as a dream.” — John Fullbright

 
Two separate things that happened this week:

The first: A colleague at BuzzFeed died. His name was Michael Hastings, and I never met him. But when you read about him — and you really should — the thing that comes across is a certain fire for his reporting. People at my office described him as passionate, as forceful, as energetic. What a wonderful thing to bring to your work.

The second: I saw a guy play in concert on Thursday. His name is John Fullbright, and he’s a hugely talented songwriter from Oklahoma. Watching him live, he sang with that same passion. He threw himself at the microphone. He sang loud, and played hard. He’s a guy who actually appears to work on stage — he sweats and screams and aches through his music. What a wonderful thing.

It’s an amazing thing to see people doing work they really care about and believe in. The passion comes through. The fire comes through.

I feel lucky to have witnessed glimpses of it this week. That’s what we’re all shooting for, isn’t it?

After The Frustration.

“Innovation happens at the crossroads of frustration with the present and blind optimism about the future.” — Aaron Levie

 
A lot of really great stuff can come from being mad at where you are. You’re pissed about your job or your friends or your place in the world, and you do something bold. That’s where a project like Stry.us came from.

But frustration is just a little bit of fuel. It might jump start you, but it won’t keep you going.

What keeps you going are boring things: Routine, effort, persistence, teamwork. The frustration convinces you to start the work, but the structure lets you do the work every day.

It’s boring stuff, yes, but it’s also what actually makes great work happen.

That image at top comes via.

Stop Talking About The Future. Start Working Today.

“You have to learn to be bad at something before you can learn to be good at something.” — John Oliver

 
If I hear one more talk about the future of my industry, I’m gonna be sick.

The future. Goodness, what the hell do we know about the future?

We have no clue what happens next. None. We are consistently, ridiculously wrong when it comes to predicting the future. We are just bad at it.

Here’s what I’m interested in:

What are we doing now?

What tools are we working with now?

What are we trying to accomplish now?

We shouldn’t stop trying to make our world better, but we have to start now. We know what people are doing now, and how people are reacting now. That’s where we should start.

But we get lost in talking about what’s next.

We are constantly trying to sift through all that’s happening now to predict what’s coming next. That’s where we get lost — trying to follow the thread a little too far into the future. We want to write the story as it’s happening. We all want to feel like we’re a step ahead.

But forget about the future for a second. We chase it too often. We follow it to dead ends.

All we can do is put our work in right now and see where it takes us.

The work leads us to the story, not the other way around. Go do the work. Go ask your colleagues what they’re working on, and try to learn from it.

Just remember: Some predict the future; others make it.

You Are Not A Phony.

“It’s all going to be okay.” — Rick Webb

 
There is a certain point in your life when you realize that you don’t know anything.

Up until that point, you thought you knew what was up. You thought you’d experienced heartbreak. You thought you’d experienced pain.

And then comes this big breakthrough, and you realize, you don’t know jack. You’re just starting your life, and you’re starting from zero, and everyone else seems to know more than you do.

You feel like a fraud, and a phony. You feel like you don’t have anything to offer this world.

And there’s that expression you’ve heard: Fake it ’til you make it. That’s almost true.

Because there’s a second realization that comes a little later: Nobody else knows anything, either.

Everyone, turns out, is kinda faking it. Nobody is just born an astrophysicist or a banker. (And nobody is born or a social media expert.) We mold ourselves into these people. We see what others are doing, we think about what we like to do, and we make ourselves into the people we want to be.

But we are all just making this up — and figuring this out — as we go along. All of us.

And once you realize that, you don’t feel like a phony. You don’t know anything, but hell, neither does anybody else. We’re all just trying to make it work in this world.

So just do good work and surround yourself with good people, and you’ll be okay. It’s normal to feel like you don’t know anything.

We all feel that way, and we’re all in this thing together.

Nobody Knows Anything Before You Start.

“This can be anything you want.” —Louis C.K.

 
It’s been more than 11 years since Disney announced that they were going to do something unusual: Turn a theme park ride into a movie.

The movie was called “Pirates of the Carribean.” And early on, critics thought it was a terrible idea.

Here’s what one critic had to say about it in March 2002:

“Pirate movies have been bombs for a long time… this is one of those streaks that most producers seem to respect. You have to go back to the 1950’s (and earlier) to find an era when pirate movies were successful and liked. And that, I guess, is why the Pirates of the Caribbean ride was made in the first place, because they didn’t know yet the trend was over.

“….As for a movie with really scary pirates that pulls no punches for the kiddies… don’t be lookin’ ‘ere, arrrrr…”

And the same writer in June 2002, growing a little less skeptical:

“I don’t know whom exactly I thought might be announced as starring in this movie, but I’m pretty sure I wasn’t thinking it would be Johnny Depp.”

And the same writer in April 2003, when the first trailers came out:

“The amazing full trailer for this movie did indeed go up last night…. My anticipation for this movie has been building for some time, but this trailer really locks it in there.

“I think the title of “Pirates of the Caribbean” has had a lot of people scratching their heads (and expecting a dopey movie), but clearly Disney, Bruckheimer, Verbinski, Depp and everyone else involved were not setting out to make *that* sort of PotC movie. They’re apparently totally reinventing the property, separate from what you know about the ride, and from what I can see in this trailer… it looks like it might have worked. Wow.”

That movie went on to make $305 million. Johnny Depp was absolutely awesome in it.

But nobody knew that at the start. At the start, it was just a weird idea. There was no director, no stars. Just an idea.

Ideas aren’t worth very much. Some ideas bomb. Some ideas get the right team behind them and become one of the highest-grossing movie franchises in history.

Nothing really matters until you start — especially not what everyone else is saying.

So just go ahead and start.