The Frame Matters.

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Seven years ago, The Washington Post’s Gene Weingarten conducted an interesting experiment. He took one of the world’s best violinists, Joshua Bell, and had him perform on a Friday morning during rush hour at a subway station in Washington, D.C. He didn’t tell anyone who Bell was. As Weingarten explained in his article:

“His performance was arranged by The Washington Post as an experiment in context, perception and priorities — as well as an unblinking assessment of public taste: In a banal setting at an inconvenient time, would beauty transcend?”

The simple, shocking answer: No.

As Weingarten went on to point out, maybe the end result wasn’t all the surprising. If he’d told passerbys that Bell was a famous violinist, would they have stopped? Probably! But they had no context for Bell, other than that he was playing a subway station. And playing a violin at a subway station isn’t exactly a indicator of fine musical talent.

Which leads to another big question: How do you recognize what is great if you don’t have the proper frame for it?

That’s the challenge for anyone who wants to product amazing work. It’s not enough to merely create the work. You also have to include the context to show everyone why it’s so amazing. You have to answer certain questions: What’s it an improvement on? How does it help me? And showing that can be a real challenge.

But it’s an essential challenge. Without it, there’s no context — and without it, your work might just go unnoticed.

That photo of a picture frame comes via Flickr’s LUH 3417.

Wanting To Skip Ahead.

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Sometimes, when I’m in the middle of a big project that’s still got more work to do, I just want to hit fast-forward and get right to the end — to the “good” part.

I never feel this way at the start. At the start of something, I’m excited! I’ve got ideas, and ambition, and lots of momentum. I have a concept in my head of how things will pan out, and I can’t wait to get there.

But something happens once I get into the work: I get a little antsy. I want to skip ahead to the part where everything’s working. This happens all the time: I’m bogged down in the work of all of it, and I want to skip ahead to the reward and see how it all pans out. Did I succeed? Did my predictions come true? And once I’ve hit that finish line, what’s the next series of steps and goals I’ll be shooting for?

This is natural, especially when there’s a lot of amazing stuff in the works. You remember the “Harry Met Sally” quote: “When you realize you want to spend the rest of your life with somebody, you want the rest of your life to start as soon as possible.” Take Meg Ryan out of that sentence and insert your own big project or ideas, and the same is true.

But that’s not how it works, of course, and I always eventually realize that. You have to go through the tedious, hard stuff. Great companies get founded because of the tedious, hard stuff learned along the way. Great writers and thinkers and people get to that level of greatness because of the stuff learned along the way.

There is no fast-forward button, because to fast-forward to the results is to miss everything valuable that’s learned between points A->B.

So I always get back in there and keep doing the work, even if it feels like I’m miles away from where I want to be. Maybe I’m really closer to a major breakthrough than I think — maybe you are, too.

That photo of a VCR comes via Flickr’s Rob Ketcherside.

Four Things To Ask Yourself Before You Start.

Before you start the work, you’ve got to ask yourself:

Are you willing to struggle? Because you’re going to struggle with this. The work is going to kick your ass, and just when you think you’ve made a breakthrough, it’s going to kick your ass again. You are going to ride that struggle bus for a long, long time.

Are you willing to feel stupid? Because you’re not going to know everything — not by a long shot. You’ve got so much to learn, and it’s going to get to a point where you feel like you don’t know ANYTHING. It’s actually a good thing. It means you’re growing your skill set and pushing yourself into brand new areas. But it’s also really, really hard to cope with the fact that at times, you feel pretty dumb.

Are you willing to find the best people? Because you’re not going to get anywhere without the best people. You’re going to have to find people you love to collaborate with, and people who will push your work into brand new areas, and also people you wouldn’t mind getting stuck with in a room at 2 a.m. (Because, btw, you probably will be stuck in a room with them at 2 a.m. at some point. It happens.)

Are you willing to keep going? Because after all this, you have to be willing to push on and keep doing the work. You have to be willing to launch stuff that isn’t quite perfect, and then go back and make that work better. Above all else, you have to be willing to keep stepping out there and pushing your work into the world, because it’s the only way to do it.

So are you willing to do all that? Because if you’re not, you’re not quite ready to start.

That photo of a state fair comes via Flickr’s Omar Bárcena.

You Can Always Make It Better.

You can always — ALWAYS — make it better.

You can always go back and make that second edit, or fix that line or code.

You can always ask someone new for help to make the second version better than the first.

You can always try again.

It doesn’t have to be PERFECT the first time. Because it won’t be! Hardly anyone nails it on the first try, and that’s okay. Good work is meant to be built upon and improved. That first version is just a starting place.

So just launch it. Get it out there and see what people say.

You can always make it better.

That photo of a book being edited comes via Flickr’s Joanna Penn.

What I Learned As A One-Man Band (Working Within A Larger Company)

I got asked the other day about how you make it work as a one-man band — if you’re starting at a decently sized company, but you’re the only advocate for what you do.

And I told this person:

At BuzzFeed, when we launched email, I was the only staffer fully devoted to email. Every single newsletter that was sent in 2013 — and they numbered in the thousands — was written by me. (It was a lot. I wouldn’t recommend doing that.)

But now, we’ve three — and soon to be four — others helping write our newsletters, and the email team continues to grow.

So how’d we get from there to here?

-We set simple goals for the products we wanted to launch.

-We figured out the metrics that were more important, and worked hard to meet — and exceed — those numbers. But we didn’t obsess over those day-to-day numbers, especially if the overall feedback about the product was strong.

-We launched things quickly. Like I always write: When you build something with Good/Better/Done in mind, you’re able to get it out the door quickly, and then improve it as you go.

-We didn’t waste motion. After the first few weeks, we didn’t spend too much time talking about the What Ifs before a launch. We picked a target, we roped in the necessary people we needed for support, and we got the product out the door. Everything up until launch is an exercise in theory — so just get the thing launched.

I knew when I started at BuzzFeed that I was going to have to work like a crazy person to get email off the ground. But now it’s starting to take off. And as it has, my bosses have been hugely supportive of the project, and are helping give it the fuel it needs to grow.

I couldn’t have done this alone forever. But to start, I didn’t need a lot.

That photo of an actual one-man band comes via Flickr’s William Ward.

A Funny Thing I Learned Along The Way.

People have short memories.

I used to think that when I screwed up, people would remember forever. Or, at the very least, for an extremely long time. A long enough time that it might as well be forever.

But what I’ve found is just the opposite: When I’ve really messed up, I spend a little while kicking myself, and then a little while longer getting my ass kicked by others… and then things start to get better. Friends show up and offer support. Things get talked out.

And then more work comes along, and there’s another chance to get it right. If it’s a small mistake, it’s forgotten a day or two later. If it’s pretty big mistake, it lingers for a week.

But then it passes. People forgive. The biggest mistakes I’ve ever made — the biggest goofs — are things that friends and old co-workers now use as punch lines during happy hours. You remember that thing you did, Dan? Man, what a screw up!

Oh, the other part: You learn a lot about the people you work with when you screw up. Because what I’ve described is what happens when you screw up in the company of great people. They forgive you, and even help you move past your mistakes.

Not everybody is like that, though. There are workplaces that don’t forget mistakes — that punish you for them, that constantly remind you of them.

What I’m saying is: Screwing up is pretty good way to find out what kind of place you work at, and whether or not you want to be working with people who’ll punish you for screwing up.

That image of a small mistake comes via Flickr’s @tehlonz.

You Know More Than You Know.

A few years ago, I came to a strange point with Stry.us. I had been working on the project for a while, and the initial giddiness of working on something new had worn off. Suddenly, I felt overwhelmed with it all. There was so much I didn’t know, and it felt to me like I was the only one who didn’t know what he was really talking about.

I didn’t quite know how to explain it back then, but I can now. (Funny how much a few years of perspective helps.) What I was experiencing was twofold:

1) I was challenging myself, and realizing that to succeed in my new role, I was going to have to learn a lot.

2) I was struggling to remember that even though I had a lot to learn, I also still knew a lot.

That didn’t make sense to me when I first went through it. I honestly believed that I couldn’t be smart AND have lots to learn at the same time. I thought it was either one or the other.

But the more people I talk to about my experience, the more I realize that I wasn’t alone in this. A lot of people struggle with that mentality when they take on a big new role.

So when you find yourself in that situation — when you feel overwhelmed with what you still have to learn — these two things can help:

1) Be honest with others about what you know. When you know the answer, speak up! Chances are, you know a lot more about your work than you’d give yourself credit for.

2) Be willing to say, “I don’t know.” It’s not a sign of weakness. It’s not a sign of failure. When you say those words, you’re making a promise to yourself to go out and find the answers. And often, you’re making a promise to get help from others.

You can be stubborn, and pretend to know it all, or you can grow as you go. I’d take the second path if I were you.

Acknowledgements.

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I know this is the kind of thing people usually save for an awards speech or a published book. But I just finished a good book yesterday, and then I watched the Oscars, and now I’m in the mood for saying “Thanks.”

Who says I can’t offer a few acknowledgements just because?

So to start:

Thanks to the people who believed at the start: Myron, Don C., the Drake, Steve M., Bill and everyone at the Star, Dan and Howie, too. To Richard for the Redskins gig. And Uncle Donald for telling me to send that email to Ted Leonsis. Funny how that all worked out.

To the guys at the Rocky — thanks for a great summer. Sorry again about almost getting deported.

To Jan and Greg at KENS, for that first shot. And for standing up for me too many times to count.

To the 2k5ers, who always gave me a place to come home to. Especially those who always made time to listen: Gerf, Lizzy, Ani, Emma, and all the boys — Jason, LK, Tom, Dinner, Shoe, Kurt — I owe you for that.

Thanks to everyone at Mizzou who believed. Most of all, to Keith, Amy, Randy, Dave, David, Jen, Dorothy, and Paul. To the NewsFoo guys, who opened doors for me, and let me tell that story about Mrs. Claus.

And of course, to the Tigers who told me to keep going: Ryan, Dan, Beth, Sarah, KVo (and fam!), Teresa & Luke. Won’t soon be forgotten.

To Jordan and the Stry.us team, who came along on an absolutely crazy ride and made it unforgettable. (Still so proud of you guys.) And to everyone in Springfield who pitched in — especially the amazing team at the library.

To my bosses at BuzzFeed: Ben, Scott, Doree, Dao, and Erica, for believing in all of this, and to my co-workers who do work that impresses/inspires/wows me every single day. To Allison, too, for convincing me that New York would be fun. (You were right. It is.)

To everyone who let me tell their story: Thank you. Biloxi and Springfield, thanks for letting me share your stories, too.

To my parents: Thanks for teaching me to always do the work.

To Ellen and Sam: Thanks for always being there to kick my ass when I needed my ass kicked.

And to Sally, the queen of superlatives. You are The Silliest, and The Best, and The Most Wonderful. You make this all work. Love you.

That photo at top comes via Instagram’s @papajm25.

People Have The Right To Be Stupid

I get annoyed when I read a story about someone who — rather publicly — makes a really dumb decision. When they’ve got an opportunity to do something amazing and instead do something… stupid.

I pointed this out to a friend last week, and she told me something perfect: “People have the right to be stupid.”

As in: People have the right to spend their money the wrong way.

As in: People have the right to hang out with the wrong crowds, or to waste time on the wrong projects.

As in: People don’t just have the right to — they’re going to. You can’t always stop these stupid decisions. Sometimes, you just have to stand there and watch stupid happen.

Now here’s the thing you have to remind yourself: It is not your job to stop other people’s stupid. Sometimes, in the course of doing the work, people get so wrapped up in the work that they make decisions that seem smart to them — but obviously stupid to everyone else.

I keep reminding myself: It’s not your job to stop other people from making those mistakes. You can offer advice, and you can reach out to help — but mistakes will be made.

Stupid just happens. It’s frustrating, but it happens.

(But hopefully not to you.)

That photo of a truly stupid sign comes via Flickr’s Chris Ingrassia.

What Should I Do With My Life?

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There are times when I look around at myself and the life I have — 26, working at a rapidly-growing company, building cool stuff with a really awesome team — and I manage to convince myself that I am absolutely nowhere.

I look around, and all I see are people going places, and I don’t see myself doing the same.

I feel stuck in the mud.

And then I ask myself question that everyone asks at some point: What should I do with my life?

It is a big, scary question.

I’d like to think that my grandparents asked themselves that question. One grandpa became a doctor, and the other became a pharmacist, and that was their life’s work. They picked a life and stuck with it.

But thanks to a few factors — for me, it’s hard work, a bit of luck, the comfort of a few dollars in the bank, and the way the internet has changed everything about how people make and share things — I don’t see one path. I don’t see one life.

I see many paths, and many lives.

There is a wonderful anecdote in the autobiography of Katharine Graham, the longtime Washington Post publisher. She talks about her father, Eugene Meyer. He started out as a businessman. Then he transitioned to a life in government — he served as the chairman of the Fed, and later the first president of the World Bank. Then he bought the Post. Then he got into community service. And finally, towards retirement, he pushed himself into family life.

Graham writes about these stages as the arcs of Meyer’s life. He had the arc as a private businessman, and the arc as public servant. He had arcs as a champion of certain causes, and an arc devoted to family. Some arcs lasted a decade. Some lasted longer. But his life wasn’t one continuous thread — just a series of strands that he wove together into something impressive.

That idea of arcs has stuck with me. There are a lot of things I’d like to do with my life. There’s an overarching theme, certainly: I’d like to keep making awesome things with great people, and I want those things to serve and to entertain others.

But I know that things will come into my life that will make me change my plans. I know how much the internet has changed things already, and it’s going to keep changing things. I’m going to leave New York at some point, and that’ll change things.

Family will change things — in a wonderful way, I hope.

And I love that idea of arcs. I love the idea that as things change, so can I.

There is not a thing I want to do with my life. There are a lot of things.

A decade ago, I first started working as a reporter. In a way, I see that arc slowly winding down. I’ve been transitioning into a new arc — as someone who makes stuff — and that’s really exciting.

I do not know what the next arc is. But I know this:

When I think about the question of What I should do with my life?, I feel stuck, and scared.

When I think about the arcs, and the chance to keep learning and growing and doing new things — even if that means big change along the way — I feel excited, and nervous.

It is a wonderful feeling, and I want to keep chasing it.

That’s a photo of me stuck in the mud in New York. I took it.