What Does The Modern News Media And Whaling Have To Do With One Another?

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I’m taking the week off, and spending it up in Nantucket. I love it up here: the days are simple, and there isn’t internet or TV at the house. (I’m making a quick exception to log online for this post.)

The island is an interesting case in reinvention. A few hundred years ago, this was the whaling capital of the world. Today, the big industry is tourism. Aside from the Whaling Museum downtown, and a few extra copies of “Moby Dick” at local bookstores, you wouldn’t have any idea that life on Nantucket was so radically different in the 1700s and 1800s.

But something caught my eye this week in the local paper, the Inky Mirror. (Back in the day, I used to write for the Inky’s rival, the Indy. They like their newspaper abbreviations up here.) Every week, they publish an excerpt from the paper back in the day. The full excerpt is at the top of this post, but I wanted to highlight a snippet. It’s from the Inky 150 years ago, and it depicts an island on the verge of a huge transition:

“But the whale fishery is gone; gone beyond hope of revival. And if we truly love our island home, and would retain its already reduced population, we must introduce new branches of industry.”

The general theme of it seems familiar to me: Good news to report on the new industry in town, followed by a warning that said industry might not actually work, followed by a reminder that the old industry is long gone, and total reinvention could be necessary.

Why so familiar? Because… that’s the formula for nearly every report on the state of the news industry over the past 10 years! There’s always the good news (“We’re making more money via digital advertising than last year”), following by the big warning (“But this pales in comparison to ad revenues from 20 years ago”), followed by the requisite announcement (“We still need to make much more money to be sustainable in the long run.”).

I know how things turned out on Nantucket, even though I’m not sure islanders would’ve believed it 150 years ago. (“You’re telling me that this postage-sized stamp of scrub brush 30 miles off Cape Cod is going to be a tourist destination? And everyone’s going to wear cranberry-red pants? Really???”) How things turn out for the news industry, I’m not sure. But it’s not hard to alter that Inky warning for the news media of 2015:

“But print advertising is gone; gone beyond hope of revival. And if we truly love journalism, and would retain its already reduced influence, we must introduce new branches of revenue and distribution.”

Anyway, check back to this blog in 2165, and I’ll probably have an update then on how things turn out. (Hopefully sooner.)

There’s One Little Problem With That Famous Wayne Gretzky Quote About Pucks.

Chicago Blackhawks Vs Detroit Red Wings

There’s a Wayne Gretzky quote that’s been repeated in a thousand PowerPoint presentations, and I’ll repeat it here: “Skate to where the puck is going, not where it has been.” It’s a wonderful thought: Instead of chasing what’s already happened, try to get a step ahead! And hey: Wayne Gretzky once scored 92 goals in an 80-game season, so he must know something about success.

But there’s a flip side to Gretzky’s mantra, and I think it’s just as interesting: Everyone’s trying to skate to where the puck is going, and when they make their move, they usually move in packs.

If you’ve ever seen “Trading Places,” you know what I’m talking about. There’s the famous scene at the end where the Dukes try to corner the market, and everyone else starts following their lead. The other brokers don’t know why the Dukes are doing what they’re doing — they’re just chasing them blindly in hopes that there’s money to be made.

I haven’t been around for very long, but I’ve seen enough to know this: That kind of scene happens all the time. When one big player in an industry makes a move, a bunch of smaller ones often go chasing after them — even if they don’t quite understand why. Most aren’t trying to find the puck; they’re just watching bigger players for clues, and hoping they can beat the giants to the right spot.

And when you have this sort of movement in packs, with everyone trying to be first to the next big thing, it’s incredibly hard to stand out. There are too many competitors.

I’ve always taken a different approach: Watch where everyone’s moving, and then go where they aren’t. Some of the best stuff I’ve worked on (longform journalism, email marketing, responsive design) were spaces that didn’t have any buzz when I got into them. In time, they were all tapped as “the next big thing.”

Not everything I’ve done has turned out quite that well. (I started Stry.us as a replacement to the Associated Press. That, uh, didn’t quite work out.) But it’s been a pretty good policy: When you’re a little fish, don’t go swimming into big ponds. Ignore the hottest trends. Ignore what the experts are saying.

To bring it back to Gretzky: Find pockets of space where you can work, and if you do things right, the puck might even come your way.

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That hockey photo comes via Flickr’s Nicole Yeary.

Get That Glide Out Of Your Game.

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I’ve been watching a lot of the NHL playoffs lately, mostly because I’m trying to give myself an early heart attack, but also because my Washington Capitals are in the hunt for the Stanley Cup. As always, I’ve been paying close attention to how our superstar, Alex Ovechkin, is playing.

If you’re not familiar with Ovi’s work, perhaps a highlight like this might jolt your memory:

Or this:

Or this:

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Ovi was always great at delivering the highlight reel plays. But early in his career, fans, media, and even his own coach criticized him for taking plays off. Just look at this GIF, and watch no. 8 casually skate towards the net — even with an opponent standing there WIDE FREAKING OPEN.

At the start of the season, the Caps called out Ovi, saying he “has got a little too much glide maybe in his game.” To put it another way: Ovi was taking plays off, and the team wasn’t going to take it anymore. He’s always been talented — but it was time to step up his overall game.

And he took it to heart. Last year, the Caps were outscored by 35 goals when Ovechkin was on the ice — even though Ovechkin himself scored 51 goals on the year! This year, he scored 53 goals — and the Caps were +10 with him on the ice. That’s an incredible turnaround.

What changed? Ovi’s actually pushing himself on defense, and trying to put himself into spots to contribute even when he’s not scoring goals. He’s not just gliding through the game, waiting for his chance to score.

A lot of us have struggled with a problem similar to Ovechkin’s. Some of us coast through our jobs. But to get better, we all have to find ways to push hard to get the work done — even when the glamorous or the exciting parts of work aren’t in front of us. It’s not just about the big moments. The little things — the stuff announcers call “the dirty work” — matters, too. We could all use more of Ovechkin’s new work ethic in our game.

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That photo of Ovechkin comes via Flickr’s @dan4th.

Hope For The Best. Expect The Worst.

I sat down today to write a thing about Mel Brooks. Now, up front you should know:

1. I love Mel Brooks.
2. There isn’t a week that goes by where I don’t quote one of his movies. When will then be now? Light speed’s too slow! Who dares give me the raspberry? (And those are just the Spaceballs quotes!)

So when a new Mel Brooks special came on HBO, I made some time for it. It’s fantastic, and it closes with Mel singing the title song from “The 12 Chairs.” (You can/should watch it here.) The opening verse goes:

Hope for the best
Expect the worst
Some drink champagne
Some die of thirst
No way of knowing
Which way it’s going
Hope for the best
Expect the worst

It’s just a perfect Mel Brooks thought, and anyone who’s ever worked on something big knows the feeling. Before you go in on anything big — a project, a book, a company — sometimes it works out, and sometimes, shit happens!

That’s just how it goes. You do what you can, and you surround yourself with great people — and then you hope for the best.

Anyway, I sat down to write something longer about this — about how perfectly it captures what doing the work is all about, and what it means to go through this life — and then the chair I was sitting in broke. The back of it just snapped in half.

I sit down to write something about how life is funny, and then life goes and almost knocks me literally onto my ass.

You’re right, Mel. Life really is funny like that.

The Frame Matters.

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Seven years ago, The Washington Post’s Gene Weingarten conducted an interesting experiment. He took one of the world’s best violinists, Joshua Bell, and had him perform on a Friday morning during rush hour at a subway station in Washington, D.C. He didn’t tell anyone who Bell was. As Weingarten explained in his article:

“His performance was arranged by The Washington Post as an experiment in context, perception and priorities — as well as an unblinking assessment of public taste: In a banal setting at an inconvenient time, would beauty transcend?”

The simple, shocking answer: No.

As Weingarten went on to point out, maybe the end result wasn’t all the surprising. If he’d told passerbys that Bell was a famous violinist, would they have stopped? Probably! But they had no context for Bell, other than that he was playing a subway station. And playing a violin at a subway station isn’t exactly a indicator of fine musical talent.

Which leads to another big question: How do you recognize what is great if you don’t have the proper frame for it?

That’s the challenge for anyone who wants to product amazing work. It’s not enough to merely create the work. You also have to include the context to show everyone why it’s so amazing. You have to answer certain questions: What’s it an improvement on? How does it help me? And showing that can be a real challenge.

But it’s an essential challenge. Without it, there’s no context — and without it, your work might just go unnoticed.

That photo of a picture frame comes via Flickr’s LUH 3417.

The Road To The Final Four

Right now, I can tell you that one of these four teams is almost certainly going to win the NCAA Tournament, which begins in a few hours: Florida, Wichita State, Louisville, or Villanova. That’s what the stats suggest, and that’s what I believe.

But I’m still going to watch the games. They’ll play 63 games in the next three weeks, and I’ll watch at least part of almost every single one. Even the 1-vs-16 match-ups. Even the blowouts.

Even the games that involve Kansas.

Why?

Because moments will happen. Because upsets from out-of-nowhere schools like Florida Gulf Coast will happen. Because buzzer beaters will happen. Because heartbreak will happen.

And because the ride matters. We’re always so focused on the end result — that’s what this post is really about, but hang with me for a moment — but it’s the road there that we really care about. Everyone fills out a bracket and projects a final score, but does anyone really remember what the score of last year’s title game was? Or the year before that?

The end result is just that — a result. It’s a number, and it’s a fact for future edition of Trivial Pursuit.

But it’s the road there that we remember. It’s those experiences that shape everything we’ll see these next few weeks.

There’s a funny thing about this tournament, and about work in general: You’ve always got your eyes on the next step, but your thoughts on the final destination. Focus too much on one or the other, and you lose your way.

Anyway, back to basketball: Florida, Wichita State, Louisville, or Villanova is going to win this — I believe that. But there’s no need to skip ahead to the ending.

The Road To The Final Four is what I care about the most.

That photo at top comes via Flickr’s Nick Meador.

Seinfeld’s Thoughts On Money.

I got to see Jerry Seinfeld get interviewed on Monday night. This quote from the interview really struck me:

“If you really want to make money, never make a decision based on money. If you chase money, you’re going to get less of it. If you chase a thing that you love that’s interesting, only because you love that thing, you’ll make more money.”

I love that. It’s something I’ve been thinking about (and writing about here) for a long time. I’m in my 20s, and it’s far too early for me to say where my career is going or what might even happen next. But I’ve tried to put great people and great projects first, and to focus on doing the work as best I can. Decisions — like the one to start Stry.us — came from a desire to make something great, not to make money.

Do I hope to make money some day? Sure! Better yet: I expect to.

But right now, I’m focused on making great things that people love to share, and I’m learning how to get better at it every day. These are decisions you make for the long run. Hopefully, in time, Jerry’s right, and the money follows.

It Doesn’t Get Easier.

I was listening to this interview with Chris Rock earlier this week. I recommend the whole thing, but one part stuck out to me:

It comes about 3 minutes into this interview with Alec Baldwin. Now here are two men who’ve done everything you can do in the world of acting. Rock’s one of the most successful stand-up comedians ever. He’s been an “SNL” cast member. He’s been in more movies and TV shows than you can count.

And Alec Baldwin’s resume is just as impressive — movies, TV, theater, radio. The works.

Anyway, Baldwin interviewed Rock in 2011, when Rock was doing a Broadway play. It was the first play Rock had ever done.

Baldwin asked what Rock was struggling with, and here’s what came next:

Rock: “Rehearsal’s the hardest thing I’ve gone through in my life.”

Baldwin: “I always tell people, it’s like having the Empire State Building shoved up your ass one brick at a time to learn the play.”

Rock: “Yeah. And you can’t believe there’s ever going to be a day when you’ll know these lines.”

A fairly graphic Alec Baldwin line aside, I love that. I love the idea that these two veteran actors still struggle with the day-to-day work of putting on a play. I love that it’s still a challenge for them — even though they’re hugely successful (and experienced) actors.

It comes back to a question I’ve asked before: How long are you willing to suck? You have to be willing to struggle — it’s the only way to keep going.

The work just keeps coming. Even if you’re Chris Rock. Even if you’re Alec Baldwin.

Even for them.

So put in the work, and just keep going.

That photo of Chris Rock comes via Flickr’s David Shankbone.

Your One Swing.

There’s this one thing that my Uncle Billy said to me about two weeks ago. It was after my grandma’s funeral. We were sitting on the couch, watching the game, eating chopped liver. We were talking about, I dunno, the Broncos or the chopped liver, probably. Doesn’t really matter now.

But somewhere along the line, Uncle Billy dropped this bit of life advice, and it’s stuck with me: “You get one swing.”

Uncle Billy’s 88 years old. He went to war, married a girl he loved, went fishing more times than anyone else I know, showed up for every birthday and bar mitzvah I can remember. As far as Great-uncles go, he’s been a pretty stellar one.

I’ve heard that bit of advice before, obviously. It’s there on fortune cookies. It’s there in self-help books. Hell, there are people at my office who’ve worn YOLO T-shirts before. (Ironically, but still.)

But none of that quite carries the weight that it does when it comes from someone like your 88-year-old Great-uncle, does it? (And at a funeral, no less!)

One swing. Just go for it.

Alright, Uncle Billy, here goes.

That photo of a golfer comes via Flickr’s Nick Jewell.

This One-Armed Guitar Player Reminded Me That People Are Awesome.

I saw something last week that I have never seen before, and will probably never see again.

I was in Park City, Utah, for the holidays. Mom had heard on the radio that Robert Randolph & The Family Band would be playing a free show at the base of Park City. We got off the slopes early and headed to the show.

I’ve seen Robert Randolph play a half-dozen times now, and he does a fun thing during some of his shows. During an extended jam, he’ll pick up a guitar and extend it toward the crowd. He’ll give the crowd a look: Anyone out there play?

A few years ago, in Kansas City, I saw a kid — no more than 15, I think — come up and cover “Purple Haze” with the band. If you’ve never seen a teenager jam with a guy on Rolling Stone’s 100 Greatest Guitarist lists, you really should.

Anyway, Robert picked up a guitar midway through the Park City set. A college-aged kid with a big fro came up first, played a few licks. Robert shook his head and sent him back into the crowd.

A second guy — maybe in his early 30s, still wearing his ski clothes — came up, and Robert let him play for two or three seconds before sending him back, too.

Then a third guy came up. Robert’s guitar tech came over with the guitar, and the guitarist whispered something in his ear. The tech brought over a chair, and the guitarist sat down.

Then he took off his right arm.

his-arm copy

And then with the stump of his right arm, he began to play.

And Robert smiled. Because right away, you could tell: The dude with one arm could really play.

Robert jammed with him on a song. And then another. And then another.

When Robert finally said it was time to go, the crowd went insane. A one-armed guitarist holding his own with a dude considered one of the greatest guitarists ever — even a week later, I keep asking myself, Did I really see that?

I walked up afterward to congratulate the guitarist. His name’s Jeremiah Maxey, and he plays in a few Park City bands, including one called — and I couldn’t believe it when he told me — the Right Hand Band.

So here’s to you, Jeremiah. I’ll see a lot of shows in my life, but I don’t think I’ll ever see something quite like the three songs you played with Robert Randolph. Thanks for having the guts to walk up on stage — and for the reminder that people can be pretty amazing, sometimes.