A week before I started my job at BuzzFeed, I started to get the sense that this new job was going to be a little… different. I was scrolling through Twitter when I saw everyone at BuzzFeed — literally, hundreds of my soon-to-be co-workers — retweeting an account called @SeinfeldToday, which imagined if Seinfeld took place in the present day:
That account was co-created by a BuzzFeed editor. And he wasn’t alone. Everyone at BuzzFeed, I’d discover, had something odd that they did on the side.
My co-workers were responsible for weird Tumblrs like Texts From Hillary, Onion-like Headlines In Real Life, and Daily Odd Compliment. They launched absurd internet projects like @Horse_ebooks. They had their own podcasts, newsletters, and comedy shows.
Even Jonah Peretti, the company’s founder, was responsible for hugely viral email chains and insane websites like blackpeopleloveus.com.
It’s not a coincidence that so many BuzzFeeders have a side project or gig. I work with an office full of people who love to make stuff — and are lucky enough to have a job that allows them to do even more of that during their 9-to-5. The common denominator at BuzzFeed is that we’re an office full of makers and creators. When you put people with a track record of making great stuff in a building together, you’re going to get some pretty impressive results.
It’s why I always tell people who visit BuzzFeed and want a job there someday: Do something weird with your spare time. You have the same tools that we do — Instagram, Snapchat, Facebook, Twitter, Tumblr. You have the same opportunities to make something amazing on the internet that we do.
So go ahead and make something. It’s the best way for you to learn — and it might be the best way for you to get noticed by a place like BuzzFeed.
That photo of Jonah Peretti was taken by Brian Ach/Getty Images for TechCrunch, and used here thanks to a Creative Commons license.
In 2012, I wrote a blog post on this very site that asked a rather uplifting question: “How long are you willing to suck?” In it, I suggested that if you were going to get really good at anything, you were going to suck at it for a very long time first. It really does take a long time to master a skill. The people who do eventually get good at something are the ones who keep working to get better.
And today, I’d like to add on a corollary to that theory: As you work to get better at something, you’re going to make a tiny thousand fuckups. They’ll probably feel like a big deal at the time, but here’s the thing: They really aren’t.
Here’s a story:
I was 15 years old, and I was covering my first Washington Redskins game as a credentialed reporter. I got to sit in the press box with the other reporters, and I got to interview players after the game. I was very nervous and very excited to be there.
My first game was a meaningless preseason game. My job was pretty simple: At the start of every quarter and at the end of every half, I called this company’s central office and told a guy what the score of the game was. After every scoring play, I called that guy with an updated score. After the game, I called that guy and gave him a few quotes from the locker room. Then they’d send out game updates based on my updates.
That was it. It was a very, very easy job. It required me to watch football for money, but without actually doing any real work. I didn’t have to write a game story when the game was over, and I didn’t have to go on air. I just had to watch football, talk to a football player or two afterwards, and make a dozen phone calls.
I remember my first locker room experience. I’d gone to RadioShack to buy a brand new tape recorder — literally, it recorded audio on tiny 1-inch tapes. I remember walking into the locker room and noticing the way the room was laid out, each group of players in their particular corner. I remember walking over to Champ Bailey and Chris Samuels, both Pro Bowlers, to ask questions.
And I remember this most of all: Getting back to my car after the game, pressing play to listen to the interviews I’d done, and hearing…. silence. I remember looking at my tape recorder, and realizing that I’d accidentally pressed the play button, not the “REC” button to record. I hadn’t recorded a single second of my interviews.
I felt like the biggest fuckup in the world. My first time in the locker room, and I didn’t do my job correctly.
And since, I’ve said and done the wrong thing so many times that I’ve lost count. I’ve reported on big stories and then spelled a key source’s name wrong — in the print edition. I’ve sent the wrong email to huge lists of people.
I’ve stumbled, blundered, and fucked up over and over again.
And in each new skill I learn, I’ll keep fucking up! That’s part of the process of learning. You try stuff, you fuck up, you learn, you get better. Those fuckups are always little things that can be corrected and learned from. As long as you keep learning and working to get better, you’ll come to realize that your fuckups aren’t a big deal. They’re teachable moments, that’s all.
That photo of an old-school tape recorder comes via Orin Zebest of Flickr and a Creative Commons issue.
Last Monday, my wife emails me an interview with Mel Brooks. The interview has a bit of news: He’s going to do a showing of “Blazing Saddles” at Radio City Music Hall later in the week, and then a Q&A after the movie. We both love Mel and his movies, so I go looking for tickets. They’re a little pricey, and we’re debating whether or not to go. I’m leaning towards going — Mel is 90, he’s a living legend, and you never know if he’ll be back again.
Halfway through our email thread, the news breaks that Gene Wilder has died.
We buy the tickets.
Of course, it was worth the price of admission, and then some. The crowd could not have been more excited — you should have heard the ovation when Wilder’s Waco Kid first showed up on screen. And then Mel Brooks came out on stage and started telling stories, and we all went absolutely crazy.
He told this one that really landed for me. He’s told this story before, so I’ll quote it for accuracy:
At one point in the movie, an old lady in a bonnet says, “Up yours, n—-r.” Brooks recalled asking John Calley, then head of production at Warner Bros., “‘Can we beat the s— out of a little old lady? Can we punch a horse?’ He said to me, ‘If you’re going to go up to the bell, ring it.'”
If you’re going to go up to the bell, ring it. I absolutely LOVE that.
And it explains so much about Mel Brooks. This is a guy who did musical numbers about both the Spanish Inquisition and Nazi Germany. This is a guy who made Frankenstein dance. This is a guy who put a fart scene into a Western.
Yeah, Mel Brooks rang that bell.
If you’re going to go halfway, you might as well go all the way. Mel Brooks taught me that last week, and I’m going to try not to forget it.
That’s a (not very good) photo of Mel at Radio City that I took on Thursday. Look closely: There’s a little Jewish guy at the front of the stage. That’s Mel.
I was reading through the paper this morning when this headline caught my eye: “Jeremiah O’Keefe, Ace in His First World War II Battle, Dies at 93”.
I didn’t recognize the face of the man in the fighter plane, but down the page, there was a second photo of a man — the same face, but older, well into his 80s. I recognized that one.
I’d met him before.
I met Jeremiah O’Keefe — Jerry, to everyone around town — during my summer in Biloxi, Miss., in 2010. I interviewed him once at his home that July, just as I was getting started on Stry.us. I didn’t have a working website yet. I hadn’t published a single story. But he was gracious and gave me an hour of his day. We talked about his time in the Navy and his work running the town’s funeral home; about how he came to politics; about the time he tried to stop the Klan; about the projects he built in Biloxi, and the ones he didn’t. I wrote a story about his time as mayor, and gave it the headline, “The Man Who Tried to Save Biloxi.” Below that headline, I wrote:
“Four years after Hurricane Camille, in a town the storm left for dead, the man running the local funeral home decided to give his city new life.”
I wrote a lot of stories that summer about death and rebirth in Biloxi, but none quite as literal as Jerry’s.
And it’s really something that today, of all days, is the day Jerry’s obituary appeared in the New York Times. You might not realize this, but today is the 11th anniversary of the day Hurricane Katrina made landfall on the Gulf Coast, and changed that part of the South forever. It would be easy not to know about the anniversary — after all, if you’re living pretty much anywhere outside the Gulf, you won’t be reading about the storm today. Those of us in the media simply don’t cover the 11th anniversaries of disasters — even those as life-changing as Katrina.
Here’s what I wrote about Katrina a year ago today over on Stry.us:
There is a particular disaster narrative that springs up after an enormous storm, and Katrina was no exception to the rule. The storyline is simple:
In the days after the storm, the story is one of loss.
A year after the storm, the story is one of recovery.
Five years after the storm, the story is one of remembrance.
10 years after the storm, the story is one of rebirth.
That’s the disaster narrative, and Katrina’s story has followed it to the letter: Loss. Recovery. Remembrance. Rebirth. Joplin is four years in to the disaster narrative; the Jersey Shore is two. But the stories of tornado recovery in Joplin will be everywhere next summer; in two years, we’ll read recovery stories from Sandy. On the 10-year anniversary, we’ll read of rebirth, same as it always was.
But this is the last Katrina anniversary you will ever read about.
After 10 years, an interesting thing happens: The disaster ceases to be a part of the present, and becomes something of the past. After 10 years, reporters stop writing about how the storm is affecting people’s lives today. Remember: This is a story that began with loss, and ends with rebirth. The story doesn’t go on forever; there is no epilogue.
So for Katrina’s story, this ends here. You will not read a front page story in the New York Times about the 11th anniversary of Katrina. You will not see a site like BuzzFeed put together a package on the 15th anniversary of the storm. And by the time the 20th anniversary rolls around, or the 25th, Katrina will simply be something of the past.
Of course, I opened the paper today, and there was no front page story about Katrina. But on page B6 of the New York Times, there is a story about Jerry O’Keefe. And his story is the coast’s story, too.
So on this day, 11 years after Katrina hit the coast, I wanted to say:
Jerry, I’m grateful for the time you gave me back in 2010, and the conversation we had. You didn’t need to give a young reporter a chance, but you did. Thank you for sharing your story with me.
And Jerry, I wanted you to know: Whenever I think of you, I think about this stretch of beach out in front of your Mississippi home. Dating back to the 1950s, you told me that you’d planted palm trees out front. When a big hurricane came through and knocked the trees down — like with Hurricane Camille, and later Katrina — you’d go back and replant new ones in the sand. It was one of my favorite symbols of Katrina, those trees down by Highway 90. What the storms would take away, you’d find away to bring back. In Biloxi, there was death and rebirth — always.
I know, Jerry, that you’re gone, but there will be another storm. On the Gulf Coast, there’s always another.
And when that storm comes, and when it knocks down your palm trees, I wonder: Will someone come now to replace them?
I hope they will, Jerry.
Fun blog note: I’m getting married this week! And with the wedding and honeymoon coming up, the blog’s going to take a bit of a break. I’ll be back in September with more posts.
Have a great rest of your summer — and I’ll see you back here soon!
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That’s a photo of PNC Park in Pittsburgh because the wedding’s in Pittsburgh. Also, that photo was taken by Dan Gaken, posted on Flickr, and used here thanks to a Creative Commons license.
I love the Olympics, and I think there’s a lot to learn from watching them. I’ve written before about the Yellow Line Theory. I’ve written about the importance of keeping your eyes on the road ahead. And with the Olympics just a few days away, here’s this year’s big Olympics idea.
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I’ve talked to a few groups of journalism students this summer. They’re graduating next year, and they’re starting to ask: How do I get the first job after college? How do I successfully make the transition from college to the real world?
Here’s the way I think about it: College moves fast. Ever since you first got accepted to a university, your family’s been telling you: Enjoy it, because it goes by fast. And it really does. Three years blow by, and the last year moves even faster. The transition between the end of school and the start of your career is a blur.
In a way, it’s a lot like the baton toss in the 4×100 relay at the Olympics.
You’ve seen that race on TV. Each race has four legs, with the tiniest of transition areas for one runner to hand the baton off to the next. If you’re one of the last three legs, you go from a standstill to a sprint in a matter of yards.
Nail all four handoffs and you’ll save precious seconds, and maybe win the race. Botch even one — or, worse, drop the baton entirely — and you’re out of the medals.
Whenever I watch that race, I always keep an eye on the men and women who have to run the final legs. Being a later leg of that race is fascinating to me. Those runners know what’s coming, but they still can’t move until the previous leg finishes. And then suddenly, there’s a moment when they go from a standstill to a full-on sprint.
That anticipation is a lot like what you feel as you approach the end of senior year. You start getting the big question: What are you going to do after college? You start applying to jobs. You realize that once you graduate, you’re going to have bills to pay, and you won’t have the crutch of college to hold you up anymore.
Except that you can’t full start the next phase of your life until that first one ends. You have to pass the baton from College You to Real World You.
So you sit there, full of anticipation, just waiting for the next leg of your life to arrive.
Some of your classmates will nail the handoff, and good for them! You’ll look at them a year or two after college and think: They’ve made it already. They’re so far ahead of me.
Some will botch the handoff. A few years after college, they’ll still be trying to figure out what career paths to take and what happens next. Sometimes, the next phase of your life shows up, and you’re just not ready to hit the ground running.
The important thing to remember is: No matter how well or how poorly that transition goes, just keep running. Your career isn’t a race, and you’re not competing against your classmates. Once you get that baton, you get to forge your own path ahead at your own pace.
It doesn’t matter where you go, or how fast you go. The only thing that matter is: Are you bold enough to grab that baton and start running?
Get ready, class of 2017. You’ll be off and running before you know it.
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Those GIFs from the 4×100 relay in 2012 come via this video.
I’m getting married in three weeks. And: I’m excited! I can’t wait to see so many people I care about in one place, and I cannot wait to finally say “I do” to the woman I love.
Of course, there is this one thing that’s been nagging at me for a little while, and I want to say something about it out loud:
There is a typo on the welcome note that’s going in everyone’s gift bags. And I can’t do anything about it.
Let me explain.
When you plan a wedding, you end up making a thousand tiny decisions about stuff you never knew you needed to care about. From one big decision — Will you marry me? — comes a thousand tiny ones: Is this the right font for us? Should we upgrade the napkins? Are we making the best possible choice about chairs?
You end up making a lot of decisions, and you end up with a shocking number of moving parts for a single event.
Which is why, eventually, you end up realizing something: The more things there are, the more things will go wrong.
If you make a thousand tiny choices, a handful aren’t going to go the way you wanted them to. It happens! The caterer is going to forget about that cheese you specifically requested. The DJ is going to play a song you didn’t want them to play. The bouquet will include a flower you didn’t ask for.
Or, yes: You’ll make a tiny typo on a note going in the gift bags at the hotel. (I forgot a comma! I should proofread more closely next time! I’m sorry!)
Say it with me: The more things there are, the more things will go wrong.
That’s how it goes with weddings, or with any big project you work on. It’s inevitable. The more complicated a project gets, or the more people who get involved, the more likely it is that things are going to go wrong. Mistakes always get made. The hardest thing is accepting the mistakes, and being willing to keep your focus on the big picture and not the little details.
They only notice the big picture anyway.
I’ll tell you a quick story. It’s about my bar mitzvah. 48 hours before the big day, I stood in an empty synagogue with my rabbi and my parents, practicing my Torah portion. I’d spent months preparing for the day, and this was the final rehearsal before it actually happened.
But during that rehearsal, I flubbed a line in Hebrew — a language, it’s worth noting, that I don’t speak! — and got completely flustered, ran to the bathroom, and locked myself inside for 20 minutes.
And I cried.
When I finally came out of the bathroom, my rabbi gave me some advice: If you screw up a line, it’s OK! Just go back to the beginning of the line, and read it all over again. Nobody will ever notice.
And on the day of: I did screw up a line. But I went back to the beginning, and read it all over again.
My rabbi was right, of course: Nobody noticed. If anything, the family members who could read Hebrew just assumed that I was supposed to chant that one line in Leviticus twice.
Again: The hardest part of mistakes is learning to let them go.
So as for that missed comma on the note in the gift bags: We’ve got enough time to fix it, but… we aren’t going to. It’s just a missed comma, and this is the first of many, many little details that we’re going to mess up.
The big picture matters far more. Yes, we’ll remember the tiny flubs. But we’re trying to stay focused on giving the rest of our guests a whole night they’ll never forget.
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That drawing is by my soon-to-be father-in-law, Dave. (He’s quite talented!) It’s of downtown Pittsburgh, where we’re having the wedding.
I’ve been talking to a lot of recent grads lately, young people who’ve moved to New York and are trying to figure life after college. The market seems to be improving for grads, but it’s still not easy. The best way to get a job is by accumulating a lot of work experience and a big network of friends who can open doors for you — and both of those are things that recent grads usually don’t have yet.
Which is why a lot of these grads have been asking me: Is it OK if I take a job I don’t love because I need the money?
The answer is: Yes, of course!
It’s OK to take the job that isn’t quite what you want — that content marketing job at the law firm; that graphic design job at the big marketing agency; even that job behind the counter at Starbucks — because you need the money. You do have to pay the bills somehow! And know this: Hiring managers were once in your shoes, too. They’ve all taken jobs because they needed to, not because they wanted to.
Here’s the important thing to remember: When you’re writing your résumé, that’s the perfect opportunity to craft your story and to shape all of your experiences into a personal narrative. Same goes for an interview. You can always use it to explain the “big picture” reason why you took a job, like:
– “I loved my boss, and wanted to have her as a mentor.”
– “I wanted to learn more about how to work effectively as part of a big team.”
– “I was trying to launch a new project, and needed a side gig to keep me afloat while I launched.”
Just make sure you’re the one putting your story out there first. With your résumé and your interviews, you can explain why you’ve done the work you’ve done and where all of it is taking you.
I wrote this a few weeks ago about narratives in sports, but it’s also true for you, the recent grad:
“We’re all crafting these narratives, and every bit of work we put in is a chance to flip the script. You can always keep going, and always keep working to rewrite your story.”
Remember: A single job isn’t going to define you forever.
One last thing: Last night, I was watching an episode of “Comedians In Cars Getting Coffee” with J.B. Smoove, and Jerry Seinfeld told this story about one of his first jobs. It’s too good not to share:
“I used to be a waiter. I was doing stand-up for free at night, and I would work as a waiter from 10 a.m. to 2 p.m. I did the lunch rush, and a couple of times, J.B., I walked up to a table, and they looked up at me and said, ‘I saw you on stage last night! I thought those were professional comedians!’”
“And I would just have to go: ‘Well, not yet.’”
Like I said: Everyone has to pay the bills sometimes. Even Jerry Seinfeld.
But what I love most about that story: It’s a reminder that even then, Jerry Seinfeld had a career arc in mind. He wasn’t a waiter. He was always working towards becoming a comedian.
So it’s OK! Take that job that isn’t perfect — just as long as you know where you’re going and how the work you’re doing today helps get you there.
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That photo of 5oo-foot view from above the Golden Gate Bridge comes via photographer Denys Nevozhai and Unsplash.com.
It’s okay to say, “No.”
It’s okay to say, “I don’t know.”
It’s okay to be wrong, too — sometimes your intuition points you one way, or the data points you one way, and you end up being wrong. Happens.
It’s okay to ask for what you want.
It’s okay to ask for help. It’s okay to ask uncomfortable questions.
It’s okay to try hard things. And if you’re trying hard things, you should ask for help! Working with smart people on something hard is how you get better.
It’s okay to reach out to smart people — even outside your company — to ask for advice. (Just remember to ask good questions and bring them coffee!)
It’s okay to be the quiet one at work. And it’s okay to be loud, too. Either way, as long as you have a boss who supports you and your team, you’ll be okay. You don’t need to pretend to be someone you’re not to do great work and get noticed. You have a team behind you to support you and your work.
It’s okay to hate meetings. (Everyone hates meetings.)
It’s okay to take your vacation days. (That’s why we gave them to you!)
It’s okay not to respond to that unexpected late-night email from your boss until the next morning. (7-to-7 is fine! But be someone who responds to emails within 24 hours, OK?)
It’s okay do something different, and it’s definitely okay to make mistakes.
It’s okay to feel completely lost.
It’s okay to feel overwhelmed.
It’s okay to be the one who asks a few extra questions to make sure you understand.
It’s okay to pitch big ideas, and it’s okay to be the one who tries to turn those big ideas into big work.
To be honest: As long as you work hard; listen well; respect your team and your co-workers; and show up every day ready to do the work, then it’s okay to be whoever you are. We hired you for a reason. It’s okay to do your thing.
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I picked that photo from Rosan Harmens and Unsplash.com because I was (sorry in advance, but you’ve been warned) … in a reflective mood.
It can be scary when you make a big life change, like starting a new job or moving to a new city. When you change something so central to your life, sometimes you struggle to find stable ground to stand on. The changes can feel overwhelming.
But I think there are ways to make a big life change without getting overwhelmed. The secret is having an anchor.
An anchor is any source of stability in your life — a constant that stays with you even as you undergo a big life event. It’s a bridge from one stage of your life to another. An anchor could be something like:
A stable relationship with a S.O.
A job you really like.
Strong personal friendships.
Strong relationships with your family.
It could even be a hobby or activity. If you’ve go to regular yoga classes or volunteer on a weekly basis, that could be a strong anchor for you.
The more anchors you have in your life, the less intimidating a big life change will be. The anchors are there to keep you grounded and make sure you feel connected to your true self, even as you make these life changes.
I’ll use myself as an example here. I have a few anchors in my life:
I’m in a wonderful relationship with my S.O.
I have great friends here in New York.
I have several close family members in the city.
I have a really good job.
So let’s say I decided to make a huge life change and move tomorrow to work at BuzzFeed’s Los Angeles office. I’d still have two strong anchors: The relationship with my S.O., and my job. A lot would be changing: I’d be leaving New York, and the relationships with family and friends I have here. But I’d still have two huge constants to help me throughout the move.
Making huge life changes without those anchors is so hard. I did it when I moved to San Antonio. I was single, I was starting a new job in a new field, and I didn’t have friends or family in the city. And looking back, I was so overwhelmed by the move. It was too much to take on all at once. There wasn’t anything that felt familiar to me, and it affected my day-to-day life.
The next time, a big life change will be easier for me. And it can be less stressful for you, too! If you can find an anchor to keep you grounded throughout the change, it makes a world of difference. It might be the difference between you surviving and thriving through the change, or not.
That photo of a boat dropping anchor comes via photographer Woodrow Walden and Unsplash.